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While we are all used to Pantone swatches now, that clash in sensibilities was still new in 1968, a difference in approach best illustrated by the difference between two publications from 1963. These colour swatches depicted not only different hues, but a new way of looking at colour itself - colour as commodity. In 1918, pigment samples from commercial colour charts were still a novelty, having only really been in use since the end of the previous century. What is most striking about this painting is not the allusions to Duchamp’s readymades, but the the array of colourful tiles, which foreshadow a turn in the way we think about colour. He created this work, titled rather eccentrically “T um’,” an abbreviation of the French phrase “tu m’ennuies,” or “you bore me.” After completing this painting, Duchamp never painted another picture until his death in 1968. In 1918, the French avant-garde artist Marcel Duchamp picked up his brush after a four-year hiatus. In response to the Philadelphia controversy, Portland-based designer Daniel Quasar has proposed a new design in his project called “ Progress: A PRIDE Flag Reboot,” introducing four extra symbolic hues in an effort to be more inclusive. Like many a masterpiece, the original pride flag has inspired many a modern update.
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The pride flag has become quite an iconic design in 2015, the Museum of Modern Art’s added the flag to its permanent collection. The original flag had eight colours: at the top was hot pink, which represented sex, red for life, orange for healing, yellow signifying sunlight, green for nature, turquoise to represent art, indigo for harmony, and finally violet at the bottom for spirit. However, the original pride flag, designed by artist-activist Gilbert Baker in 1978, actually also had more colours than the typical six. For some, the new stripes felt like an unnecessary alteration. In a quest to be more inclusive, activists had added new brown and black stripes above the traditional top red stripe, which were intended to represent LGBT people of colour. In 2017, a new pride flag was unveiled at the gay pride festivities in Philadelphia. In the meantime, the rest of the world appears to have moved on. Undeterred, in 2017, Semple released Phaze, colour-changing acrylic paint, with similar restrictions. Unfortunately for Semple, Kapoor got his hands on the pigment and Instagrammed it as proof. To the best of your knowledge, information and belief this paint will not make its way into that hands of Anish Kapoor.” “By adding this product to your cart you confirm that you are not Anish Kapoor, you are in no way affiliated to Anish Kapoor, you are not purchasing this item on behalf of Anish Kapoor or an associate of Anish Kapoor. Once news broke that British artist Anish Kapoor had been granted exclusive use of the hue, absolute mayhem broke loose, with the rumour mill claiming that Kapoor had been given exclusive rights to use the colour black.īritish artist Stuart Semple addressed the situation in his own way by creating “Pinkest Pink,” which he put on sale on his website Culturehustle in December 2016. Due to vertically-aligned nanotubles, Vantablack, invented by English company Surrey Nanosystems, captures light in a way that prevents perceptions of depth and dimension.
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These days, technology has made it possible for black to become even blacker. The darkest pigment in the Old Masters repertoire was a “bone black” made by burning animal bones in an air-free chamber. Who knew colour could get stir up so much controversy.